{"id":18,"date":"2012-03-05T18:40:00","date_gmt":"2012-03-05T17:40:00","guid":{"rendered":"http:\/\/johannasmiatek.com\/new\/?page_id=18"},"modified":"2025-05-14T13:14:35","modified_gmt":"2025-05-14T11:14:35","slug":"bibliografie","status":"publish","type":"page","link":"https:\/\/www.johannasmiatek.com\/en\/bibliografie\/","title":{"rendered":"Bibliography"},"content":{"rendered":"

<\/p>\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n
(selection since 2007)<\/td>\n<\/tr>\n
2021<\/td>\nZagreus Projekt, 2000-2020<\/strong>, Ed. Ulrich Krauss, Zagreus Projekt, Berlin<\/td>\n<\/tr>\n
2016<\/td>\nmuseum FLUXUS+ atrium, Temporary Exhibitions 2008-2016<\/strong>, Ed. Heinrich Liman \/ Pia Nimpsch, museum FLUXUS+, Potsdam 2016 (exhibition catalogue)<\/a>
\nSeepferdchen und Flugfische,<\/strong> Ed. Dr. Oliver Kornhoff, ARP Museum Bahnhof Rolandseck, Salon Verlag K\u00f6ln 2016 (exhibition catalogue)<\/a><\/td>\n<\/tr>\n
2014<\/td>\nDear Artist, draw for me! Part 1: abstraction, concretion, notation and structure<\/strong>, Ed. Semjon Contemporary – Gallery for contemporary art, Berlin<\/a><\/td>\n<\/tr>\n
2013<\/td>\nPOWER.DELUSION.VISION.<\/strong> The tower and urban giants in sculpture, Kerber Verlag, Bielefeld 2013<\/a><\/td>\n<\/tr>\n
2012<\/td>\nTHE MIRROR OF NARCISSUS. From Mythological Demigod to Mass Phenomenon.<\/strong> Ed. Beate Ermacora, Maren Welsch, Snoeck Verlag, K\u00f6ln 2012 (Exhibition catalogue)<\/a>
\nSalon Salder<\/strong>, Ed. Art Collection Museum Castle Salder, 2012 (Exhibition catalogue)<\/td>\n<\/tr>\n
2011<\/td>\nUNSCHARF. Nach Gerhard Richter<\/strong>. Hatje Cantz Verlag. Ostfildern 2011 (Exhibition catalogue)<\/a><\/td>\n<\/tr>\n
2010<\/td>\nXVII. Rohkunstbau, Atlantis II – Hidden Histories – Imagined Identities<\/strong><\/a>. Ed. Arvid Boellert. Berlin 2010 (Exhibition catalogue)
\nKunstforum International<\/strong>, Vol. 204. Rohkunstbau XVII. By Matthias Reichelt<\/a><\/td>\n<\/tr>\n
2009<\/td>\nRomantische Maschinen. Kinetische Kunst der Gegenwart<\/strong>. Ed. Marc Wellmann. Wienand Verlag K\u00f6ln 2009 (Exhibition catalogue)<\/a>
\nKunstforum International<\/strong>, Vol. 199. Romantische Maschinen. By Johannes Wendland<\/a>
\nDon\u00b4t Touch, Johanna Smiatek.<\/strong> Ed. Heinz-G\u00fcnter Herpel, Kunstpunkt Berlin, Galerie f\u00fcr aktuelle Kunst. Kehrer Verlag Heidelberg 2009<\/a>
\n22. Stuttgarter Filmwinter<\/strong>, Stuttgart<\/td>\n<\/tr>\n
2008<\/td>\n5. Berliner Kunstsalon<\/strong><\/td>\n<\/tr>\n
2007<\/td>\n4. Berliner Kunstsalon<\/strong><\/td>\n<\/tr>\n
 <\/td>\n <\/td>\n<\/tr>\n
press (selection since 2008)<\/td>\n<\/tr>\n
2025<\/td>\nHannoversche Allgemeine Zeitung, Henning Queren: Johanna Smiatek presents “Parallel Universes” at feinkunst<\/strong>, 10.05.2025<\/a>
\nHenning Queren: Sound Balls in the Hall of Mirrors<\/strong>, HAZ, 10.05.2025<\/td>\n<\/tr>\n
2023<\/td>\nrbb Kulturradio Berlin, Michaela Gericke: Alltagsfeministinnen (Daily Feminists)<\/strong>, 30.04.2023<\/a>
\nHendrik Suntken: Creativity in all of its forms \u2013 New exhibition at the art hall<\/strong>, NWZ, 03.03.2023<\/td>\n<\/tr>\n
2021<\/td>\nORF, TV report, Culture Today: Transformations at the Vienna K\u00fcnstlerhaus<\/strong>, 10.12.2021<\/a>
\nGerald Heidegger: UNWANTED SECRET SHOW – A border crossing with our perception<\/strong>, ORF.at, 11.12.2021<\/a><\/td>\n<\/tr>\n
2020<\/td>\nRoswitha Frey: Sch\u00f6ner Schein und bittere Wahrheit<\/strong>, Badische Zeitung, 03.03.2020<\/a>
\nJ\u00fcrgen Scharf: Das Sch\u00f6nheitsbild der Frau … <\/strong>, S\u00fcdkurier, 02.03.2020<\/a><\/td>\n<\/tr>\n
2019<\/td>\nIngvil Schirling: Der Melodymat im Oktogon und andere Salon-Inspirationen<\/strong>, Worldnews Online, 25.08.2019<\/a>
\nAnja Kabisch \u00fcber die Kulturfestspiele auf Schlo\u00df Neuhaus, rbb Rundfunk, Antenne Brandenburg, 23.08.2019<\/td>\n<\/tr>\n
2018<\/td>\nBarbara Kalender, J\u00f6rg Schr\u00f6der: Sch\u00f6nheit und Moral.<\/strong> In: taz.blogs, 04.09.2018<\/a><\/td>\n<\/tr>\n
2017<\/td>\nBarbara Kalender, J\u00f6rg Schr\u00f6der: Seifenblasen des Gl\u00fccks.<\/strong> In: taz.blogs, 13.07.2017<\/a><\/td>\n<\/tr>\n
2016<\/td>\nGiacomo Maihofer: Tats\u00e4chlich\u2026Pheromone<\/strong>, Tagesspiegel Berlin online, 12.09.2016<\/a>
\nGiacomo Maihofer: Liebesluft: Johanna Smiateks Arbeiten im Projektraum rosalux<\/strong>, Tagesspiegel Berlin, 10.09.2016
\nrbb Kulturradio Berlin, KULTUR AKTUELL, 27.08.2016, Michaela Gericke: “MOST WANTED \u2013 hier finden Sie das Gl\u00fcck” \u2013 Johanna Smiatek bei Rosalux<\/strong>
\nWith her artistic practice Johanna Smiatek questions the promise of happiness made by mass media. She has built a “Love Machine” that promises a moment of happiness to every visitor.
\nMichaela Gericke has viewed the exhibition “MOST WANTED \u2013 You may find happiness here”.
\nWie K\u00fcnstler Dada sehen: \u201eSeepferdchen und Flugfische\u201c \u2013 Dada-Ausstellung im Jubil\u00e4umsjahr<\/strong>, Pirmasenser Zeitung, 15.09.2016<\/a>
\nAnna Gesher: Genese Dada<\/strong>, In: Kunst am Mittelrhein (Online Journal f\u00fcr Kunst), 29. M\u00e4rz 2016<\/a>Hildegard Ginster: ARP Museum: Seepferdchen und Flugfische<\/strong> (Seahorses and Flying Fish), In: Blick aktuell, 05. M\u00e4rz 2016
\nSWR Fernsehbericht: Landesart vom 20. Februar 2016<\/a>\"\"<\/p>\n

Eyleen Beetlewood: Must-have, Johanna Smiatek im Museum Fluxus+<\/strong>, Friedrich, Januar 2016
\nBrigitte Geiselhart: Alles eine Frage des Blickwinkels<\/strong>, In: S\u00fcdkurier, 02. Januar 2016<\/p>\n<\/td>\n<\/tr>\n

2015<\/td>\nUlrike Bletzer: K\u00fcnstler zeigen Fingerfertigkeit in Balmoral<\/strong>, Rhein-Lahn-Zeitung, 14.12.2015
\nSWR Fernsehbericht: Dada in Schloss Balmoral<\/strong>, 11. Dezember 2015
\n\t
<\/div>\n\t\"video\"\n\t
2014<\/td>\nUlla F\u00f6lsing: Von Babylon nach Ground Zero<\/strong> (From Babylon to Ground Zero), In: Tagesspiegel Berlin, 24.07.2014<\/a>
\nLea Rieck: Von Babel bis New York<\/strong> (From Babel to New York), In: Architectual Digest, 31.01.2014<\/td>\n<\/tr>\n
2013<\/td>\nFranziska Hof: Macht. Wahn. Vision.<\/strong> (Power. Delusion. Vision), Heilbronner Stadtzeitung, 31.10.2013
\nKira Graser: Macht, Wahn und Vision in Heilbronn <\/strong>(Power, Delusion and Vision in Heilbronn), kunstmarkt.com, 29.10.2013<\/a>
\nKatja Schlonski: “T\u00fcrme als Symbol der Macht”<\/strong>, SWR, 25.10.2013
\nFlux FM, radio transmission “Radio Arty”: 08. August 2013
\nRADIO TRANSMISSION about the exhibition “Schau Fenster Schau”, Berlin<\/td>\n<\/tr>\n
2012<\/td>\nIvona Jelcic: Too beautiful for this world<\/strong>, Tiroler daily newspaper, Austria, 30th November 2012<\/a>
\nORF Austrian TV report, 29.11.2012:
\n\t
<\/div>\n\t\"video\"\n\t
2010<\/td>\nKunstforum International<\/strong>, Vol. 204. Rohkunstbau XVII. By Matthias Reichelt<\/a><\/td>\n<\/tr>\n
2009<\/td>\nKunstforum International<\/strong>, Vol. 199. Romantische Maschinen. By Johannes Wendland<\/a><\/td>\n<\/tr>\n
2008<\/td>\nThea Herold: Subjektive Selbstvermessung. In: Tagesspiegel Berlin<\/strong>, 14.06.2008<\/a>
\nBarbara Kalender, J\u00f6rg Schr\u00f6der: Gute Kunst. In: blogs.taz.de<\/strong>, 10.06.2008<\/a><\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n

<\/p>","protected":false},"excerpt":{"rendered":"<\/p>\n

(selection since 2007)<\/p>\n

2021
\nZagreus Projekt, 2000-2020<\/strong>, Ed. Ulrich Krauss, Zagreus Projekt, Berlin<\/p>\n

2016
\nmuseum FLUXUS+ atrium, Temporary Exhibitions 2008-2016<\/strong>, Ed. Heinrich Liman \/ Pia Nimpsch, museum FLUXUS+, Potsdam 2016 (exhibition catalogue)<\/a>
\nSeepferdchen und Flugfische,<\/strong><\/a>…<\/span><\/p>\n

Read more ›<\/a><\/div>\n

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